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The Design of Active Crossovers by Douglas Self

The Design of Active Crossovers Douglas Self ebook
Publisher: Focal Press
Page: 605
ISBN: 0240817389, 9780240817385
Format: pdf

Oh no,not another active crossover build thread! Electronic active crossovers can have extra compensating circuitry. At the crossover point More recent design trends are for power to be decreased to -6 dB (1/4) to each loudspeaker at the crossover point, and the slope rate can be selected. If you only require filters which can be made passive then passive crossovers can be great but otherwise (if you require other filter types) then you have a design problem. I have also wanted to design an active crossover, both as a kit and for my own projects. Crossover Points & Order At the crossover point, power to each loudspeaker is reduced -3 dB (1/2) so total sound energy is 1. In some passive crossovers this is adjusted for by reversing the polarity of adjacent loudspeakers. Active crossover Musical Technology's complement of electronic crossovers has been designed to deliver nothing less than th. Hi guys, I have been working on my system for a while now, and finally decided to go active. This helped with the design of the drive units, cabinets, crossovers and important detailing such as the size, shape and profile of the midrange dome dispersion flange to provide optimal sound distribution and integration. Both of those things would incorporate a few (or lots of) buffer stages. With the exception In another first, the fact.12 is the only passive loudspeaker to incorporate a true LF boost setting (i.e. My question is, for the front stage, should I use the. Increased from flat), a detail also borrowed from PMC's professional background and experience with active crossover design. Alright everyone, I've decided that I want to spend some extra money and run my system (tweets, midbass, subwoofer) active.